My Blog Reflects on Visual Rhetorical Theory and Disability Rhetoric and their Connections to Classical and Contemporary Rhetorical Theory
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However, Autism Everyday has came under intense scrutiny in the past couple months for its negative and fatalistic portrayal of autistic children and the struggles parents face when raising autistic children. Critics like Dr. Kristina Chew at AutismVox, autistic blogger Kassiane, and the organization Not Dead Yet have charged that this video portrays autistic children as economic and emotional burdens on their families. One alarming part of the documentary shows a mother discussing (in front of her autistic child) how she's contemplated driving herself and her autistic daughter off of the
A rhetorical analysis based on Kenneth Burke's theory of cluster criticism of the short documentary (it runs approximately 14 minutes long) would support Chew, Kassiane, and NDY's criticisms. Specifically, the directors predominately show throughout the movie the burdens and heartbreak associated with raising a child with autism. The mothers interviewed in the documentary make statements that
Likewise, supporters of the movie argue that it "was the most realistic portrayal of the struggles and heartbreaks of autism [...] ever seen. It was realistic, did not just show the 'success' stories, and did not glorify autism" and that the video "really hits home [...in regard to] children suffering from different forms of the disorder. The pain and frustration that families of autistic children go through was powerfully conveyed" (Autism Everyday).
Again, such descriptors as "heartbreaking," "angry," "helpless," and "suffering" illustrate the common ideological and rhetorical thread throughout the movie that autistic children are emotional and financial burdens on their families. In fact, the mothers only mention the words "loving" and "hope" in the final minute of the movie and there is no discussion in regard to the children's accomplishments, potentials, or capabilities. The autistic children throughout the movie are portrayed overwhelmingly negative and tragically.
What might be the purpose of funding and distributing a documentary that portrays autism so negatively, especially considering Autism Speaks' mission of "funding global biomedical research [...]; raising public awareness about autism [...]; and to bring hope to all who deal with the hardships of this disorder"? I believe that the rhetoric within the movie answers this question. If we're to accept that producers Lauren Thierry, Jim Watkins, and Eric Solomon selectively choose the footage that was to be used in the final cut, such words as "cure" and "prevention" further the organization's mission--finding a "cure" and "preventing" autism. This movie, then, helps support the Autism Speaks' cause of raising money for autism research aimed at "curing" and "preventing" autism.
Portraying autism as the tragedy that defines one's life is an emotional appeal that plays on the heartstrings (and wallets) of viewers. Would it have been as effective to discuss the biological or behavioral factors that contribute to the frustrations associated with autism? No, probably not. Seeing frustrated and frazzled, white, divorced, middle-aged women is more effective at garnering a "sympathy" response from audiences than seeing women who deal with autism day-in and day-out but live a relatively "normal" life--a life that isn't fatalistically defined by autism. Who would contribute money for a cause that isn't "terrible," "heartbreaking," and "devastating" in every possible way?
Important to note, though, is that it's sentiments like these, that autism is a heartbreaking disorder that leaves parents shattered and children suffering and struggling, that seem to reinforce the ideology that it's okay to murder one's autistic child. These children, it would seem, bring nothing but misery and hopelessness onto their families. This ideological stance argues that murdering the disabled is probably the best thing for the children, their families, and society-at-large. And, it's for this reason that it's important to identify the rhetorical clusters that construct the ideologies of autism.
However, this ideological stance is not indicative of the entire autism communities' approach to autism research, funding, and support. In fact, groups like the Autism Assembly "share the common goal of seeking acceptance for those on the autistic spectrum, who aim to educate about autism, and who are not seeking a cure for autism. This is part of the global autism rights movement." Therefore, if the movie were produced for a different organization, one that supports acceptance and does not support a "cure" for autism, the rhetorical "clusters" might've been completely different.
Update: As of 11/7/06, Karen McCarron has been found competant to stand trial for the murder of his daughter. WJBC.com
